The Mostly Mozart Guide to Mozart

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While rooted in the original text and employing music by Samuel Barber and Franz Schubert, the production transports the setting from Scotland in the Middle Ages to feudal-era Japan. And Ninagawa has created a staging beautiful enough to count as visual art.

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And a key participant all along has been the Mark Morris Dance Group. A festival regular, choreographer Mark Morris is a musician himself and hews closely to classical music when designing movement. On July 19 and 20, the Rose Theater will be transformed with a gallon water tank, a foot crane, and an assortment of helium balloons, with which performers relate the Biblical story of creation. Pulitzer adds even more by creating a fully staged theater piece, which in fact, notes Moss, is as Bernstein originally intended it. Pia Catton is a writer and editor covering the performing arts.

Blocking belongs on the stage, not on websites. Our website is made possible by displaying online advertisements to our visitors. Please consider supporting us by whitelisting playbill. Thank you! Latest News Close. Kevin Yatarola. The Mostly Mozart Festival is growing in every possible direction. Seigo Kiyota. Veterans and their families. The Lincoln Center Business Advisory Council BAC is a group of leading executives who are willing to devote one morning each year to advising Lincoln Center on its most pressing challenges and most promising opportunities.

In addition to being a major cultural destination for more 5 million visitors annually, Lincoln Center is also the setting for high-profile corporate and media events, and film premieres. Following five decades of artistic excellence and service, Lincoln Center completed an award-winning major transformation in October to fully modernize its concert halls and public spaces, renew its acre campus, and reinforce its vitality for decades to come.

Host your event at Lincoln Center for a once-in-a-lifetime experience. Ignite creativity by hosting a meeting in one of our theaters. Excite your guests by hosting a reception in one of our lobbies. Lincoln Center for the Performing Arts is looking for professional, enthusiastic, creative individuals to join our team. Interaction with fellow interns and professionals on staff allow for the creation of valuable contacts for the future. Lincoln Center was envisioned as a major performing arts center that would develop and present the finest and brightest in all types of performing arts to a diverse audience drawn from all walks of life.

Expansion of Festival to Feature International Roster of. Productions and Premieres across Disciplines, including:. This summer marks an expansion of the festival, as it significantly increases the size and scope of its multidisciplinary presentations, enhances its commitment to the music of our own time, and extends its geographical footprint to include Central Park and Brooklyn. American Express is the lead sponsor of the Mostly Mozart Festival. This summer we move into a new chapter of expansion. Mostly Mozart is certain to secure its place as a vibrant international arts festival, marked by its powerful artistic cross-pollination and ambitious, forward-thinking vision, plus a strong commitment to the unique energy and community that is New York City.

Most important of all, it is a destination that reveals the most sublime expressions and dimensions of the human heart. I believe Mozart would approve.

Mozart: Overture to “Le nozze di Figaro” (Mostly Mozart Festival Orchestra, 2003)

Opening the season is Available Light , a trailblazing collaboration between choreographer Lucinda Childs , composer John Adams , and architect Frank Gehry , seen in New York for the first time in 33 years. The achingly beautiful NINAGAWA Macbeth , a revival of the original production from Japan—and the last production overseen by legendary director Yukio Ninagawa before his death in —will be staged one last time before it is retired. Simon Halsey , who led the performance of the public domain , returns to the festival to conduct In the Name of the Earth. This ambitious presentation, directed by Elkhanah Pulitzer New York debut , brings together two choruses, the exciting baritone Nmon Ford , and a cast of dancers, vocalists, and musicians to David Geffen Hall.

The work, which premiered to wide acclaim in fall , activates a space through installation, the vibrations of 24 subwoofers, and virtuosic performances by ICE musicians. The ensemble will present two additional programs: a free, nature-inspired concert in the David Rubenstein Atrium and a performance in the Gerald W. The festival will continue its tradition of presenting celebrated artists and rising stars at venues on the Lincoln Center campus.

The Mostly Mozart Festival sets a new standard for this beloved summer tradition and provides an auspicious groundwork for seasons ahead. McClimon, president, American Express Foundation. Lincoln Center Out of Doors July 25—August 12 presents a wide array of free performances, including film, music, dance, spoken word, film, and more, reflecting the diversity of New York City. Tickets for Friends of Mostly Mozart go on sale April 4 and to the general public beginning April They can be purchased online at MostlyMozartFestival.

Bios of artists are available on the Lincoln Center press site. Thursday, July 12 and Friday, July 13, at pm. Rose Hall. This groundbreaking collaboration between composer John Adams, choreographer Lucinda Childs, and architect Frank Gehry returns to New York for the first time since Mertz Charitable Trust.

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Thursday, July 19 and Friday, July 20, at pm. Including visual pyrotechnics, three dozen large helium balloons, a foot-tall crane, and a gallon water tank, the work touches upon subjects from philosophy to genetics. Laurence Equilbey conducts Insula Orchestra, a period-instrument ensemble, along with three daring soloists and the accentus choir, who enact this musically and visually stunning portrayal of the emergence of life coupled with the continued presence of original sin.

This revival of the original production, the last one overseen by Ninagawa before his death, stars Japanese actors Masachika Ichimura and Yuko Tanaka as Macbeth and Lady Macbeth, respectively. Lincoln Center will present the final staging of this beloved production before it is retired. Monday, August 6—Wednesday, August 8, at pm and pm.

Composer Ashley Fure combines installation and live performance to create this immersive music-theater experience, which premiered at Peak Performances in to rave reviews. Collaborating with her architect brother Adam Fure and the International Contemporary Ensemble, she activates the Brooklyn space with 24 subwoofers vibrating at subsonic levels under a dense canopy of objects and materials to create an otherworldly soundscape in which seven live performers overlay a wordless drama.

Thursday, August 9—Saturday, August 11, at pm. A pre-performance talk with Mark Morris and Benjamin D. Continuing the tradition of presenting immersive, outdoor, musical experiences, Lincoln Center has commissioned John Luther Adams to create this monumental work for hundreds of voices. For In the Name of the Earth , Adams employs the sounds of indigenous names of geographical features across North America to weave together a sonic landscape honoring the earth, water, and wind.

Simon Halsey leads this world premiere in a site-specific presentation at the northeast corner of Central Park.

The Mostly Mozart Guide to Mozart

Both experienced and amateur singers will join for this one-time-only performance that is free and open to the public. In case of rain, the performance will take place at The Cathedral of St. John the Divine. Mellon Foundation and The Ford Foundation. The cornerstone of the Mostly Mozart Festival are performances by its eponymous orchestra in David Geffen Hall, which has been transformed each summer since , with its stage extended into the hall and audience seating added around the musicians.

His courage, imagination, vision, and incredible invention always speaks to the heart and shows an amazing balance between sensitivity and sensibility. Renowned soloists and conductors from around the world will be featured in additional programs. Most performances will be preceded by a half-hour recital at pm. Tuesday, July 17 and Wednesday, July 18, at pm. Written for the inauguration of the Kennedy Center, the Bernstein MASS merges traditional liturgical form with contemporary theater, dance, jazz, and popular music, imbuing it with the social and political concerns of Vietnam War—era America.

SF Opera Lab curator Elkhanah Pulitzer makes her New York debut directing this fully staged presentation, starring acclaimed baritone Nmon Ford, who sings the role of the morally conflicted Celebrant. A pre-performance lecture with scholar Michael Beckerman will take place at pm on Tuesday, July 17, and a pre-performance discussion with director Elkhanah Pulitzer will be at pm on Wednesday, July Both will be held at the Stanley H. Kaplan Penthouse.

Friday, July 20 and Saturday, July 21, at pm. Tuesday, July 24 and Wednesday, July 25, at pm. Mozart: Adagio and Rondo in C minor for glass harmonica, flute, oboe, viola, and cello, K. The cross-Atlantic exchange of ideas between France and the U. Friday, July 27 and Saturday, July 28, at pm. Richard Egarr, conductor and harpsichord Mostly Mozart Festival debut. Jasmine Choi, principal flutist of the Mostly Mozart Festival Orchestra, and Ruggero Allifranchini, its concertmaster, are featured soloists. Tuesday, July 31 and Wednesday, August 1, at pm.

Friday, August 3 and Saturday, August 4, at pm.

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Tuesday, August 7, and Wednesday, August 8, at pm. Friday, August 10 and Saturday, August 11, at pm. Bach arr. Pre-concert recital by the Emerson String Quartet at pm. Spanning three centuries of chamber music repertoire, this program by the Emerson String Quartet and guest violist Nokuthula Ngwenyama in her festival debut is organized chronologically. International Contemporary Ensemble: A wave and waves. International Contemporary Ensemble Michael Pisaro: a wave and waves.

Free; Seating is available on a first-come, first-served basis. Isolated, imperceptibly soft noises—sandpaper on stone, seeds falling on glass, bowed bells—are layered into powerful waves of sound with reactive lighting adding to the immersive nature of the experience. A work of monumental scale and uncommon immediacy, a wave and waves melds microscopic moments of friction, gravity, and vibration into a single, pulsing organism. The inaugural season of the Mostly Mozart Festival, in , featured special Mozart at Midnight events.

The concept was re-imagined in as A Little Night Music.

Wolfgang Amadeus Mozart

These popular late-night recitals present intimate concerts with candlelit tables, complimentary wine, and sparkling skyline views in the Stanley H. A frequent guest of the Mostly Mozart Festival, Emanuel Ax supplements his July 24 and 25 appearances with the Mostly Mozart Festival Orchestra with a special, intimate performance expanding on the exchange of ideas between France and the United States.

Glass harmonica specialists Friedrich Heinrich Kern and Philipp Marguerre, who are also featured soloists in the Festival Orchestra program, joins Ax for this illuminating evening.